I'm an Emmy-nominated Art Director, Production Designer and Visual Development Artist currently leading the Art Department at Jellyfish Pictures with creative and art direction on all incoming projects. At the same time I'm working on Stan&Gran (JFP Originals) as Production Designer.
I've been working on international client pitches, brand bibles and visual development for Jellyfish Originals, feature films and TV series, including initial stage art direction for the upcoming Netflix animated series "Wereworld".
I'm passionate about the challenge of creating original style across multiple mediums and I strongly believe in teamwork and creating strong collaboration within my teams. My versatility allowed me to gain multi-disciplinary experience leading to work on a varied array of exciting projects, from my design of the robot dog in the Black Mirror episode, “Metalhead”, to the creature designs on When Whales Walked: Journeys in Deep Time, for which I got Emmy Nominated together with Jellyfish Pictures team.
Some of the projects I worked on:
Wereworld, a Netflix TV Series (Art Director, I led the art team for the first 7 months of preproduction 2022).
"Supa Team 4", a Netflix Original TV Series (Production Designer and Art Director 2019-2021)
Prehistoric Planet (Creature Designer and Concept Artist 2019)
When Whales Walked (Creature concept art - June 2019) Emmy nominated for Outstanding Art Direction and Graphic Design together with the team at Jellyfish Pictures.
His Dark Materials (Concept art)
Artemis Fowl (2019 - blue sky stage concept art)
Black Mirror S4 (I helped design "the dog" in Metalhead together with the Production designer Joel Collins and Director David Slade at Painting Practice, I also worked on concept art and matte paintings on props and environments for 4 episodes)
Several Commercials and shorts, here are some examples: Gorillaz Visualiser - Garage Palace, Pilgrim Choice ad, Intu 2017 Christmas ad.
Earlier in my career I worked as a visual development artist, background designer and flash animator in cartoon based TV advertising and as concept artist for mid-core games.
Specialties: Production Design, Art Direction, Concept Art, Creature Design, Visual Development, Layout.
Clients: Netflix, Triggerfish Animation, Jellyfish Pictures, Super Prod, Nexus Productions, Axis Animation, Blink Productions, Snafu Pictures, Painting Practice, Feed Me Light, Yamination, Roald Dahl, Interference Pattern, Bacon Pictures, Neko Productions.
I've been working on international client pitches, brand bibles and visual development for Jellyfish Originals, feature films and TV series, including initial stage art direction for the upcoming Netflix animated series "Wereworld".
I'm passionate about the challenge of creating original style across multiple mediums and I strongly believe in teamwork and creating strong collaboration within my teams. My versatility allowed me to gain multi-disciplinary experience leading to work on a varied array of exciting projects, from my design of the robot dog in the Black Mirror episode, “Metalhead”, to the creature designs on When Whales Walked: Journeys in Deep Time, for which I got Emmy Nominated together with Jellyfish Pictures team.
Some of the projects I worked on:
Wereworld, a Netflix TV Series (Art Director, I led the art team for the first 7 months of preproduction 2022).
"Supa Team 4", a Netflix Original TV Series (Production Designer and Art Director 2019-2021)
Prehistoric Planet (Creature Designer and Concept Artist 2019)
When Whales Walked (Creature concept art - June 2019) Emmy nominated for Outstanding Art Direction and Graphic Design together with the team at Jellyfish Pictures.
His Dark Materials (Concept art)
Artemis Fowl (2019 - blue sky stage concept art)
Black Mirror S4 (I helped design "the dog" in Metalhead together with the Production designer Joel Collins and Director David Slade at Painting Practice, I also worked on concept art and matte paintings on props and environments for 4 episodes)
Several Commercials and shorts, here are some examples: Gorillaz Visualiser - Garage Palace, Pilgrim Choice ad, Intu 2017 Christmas ad.
Earlier in my career I worked as a visual development artist, background designer and flash animator in cartoon based TV advertising and as concept artist for mid-core games.
Specialties: Production Design, Art Direction, Concept Art, Creature Design, Visual Development, Layout.
Clients: Netflix, Triggerfish Animation, Jellyfish Pictures, Super Prod, Nexus Productions, Axis Animation, Blink Productions, Snafu Pictures, Painting Practice, Feed Me Light, Yamination, Roald Dahl, Interference Pattern, Bacon Pictures, Neko Productions.